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Kavita Chhibber has been a journalist and astrologer for many years. To know more about Kavita and her work, please visit www.KavitaChhibber.com. Kavita also writes for Deepak Chopra's intentblog.com.
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Kaavya Viswanathan: Frey-ing her way to the Top
Till about four weeks ago, the 19 year old Harvard student was the toast of the town.

Today Kaavya Viswanathan faces serious charges of plagiarism.

An Indian American girl, the only child of two physicians, who nabbed a 500,000 dollar advance on a two book deal, at 17, and had Dreamworks purchase rights to her book How Opal Mehta got kissed, got wild and got a life, is now facing allegations that about 40 passages of her book were lifted straight from author Megan McCafferty’s books.
Kaavya initially had said she was not inspired by any one when she wrote the books. When asked which authors did she like reading in an interview, Viswanathan named many except McCafferty.

A vigilant tipster had sounded Harvard Crimson the in house daily newspaper of Harvard University about the similarities and all hell broke loose, soon after. I happen to catch the only interview Kaavya has given, to the “Today” show, where she insisted that she was an honest person and had perhaps internalized Megan McCafferty’s books when in High school having read them over and over again, but that when she started writing the book, she did not look at those books. In fact they were at home and not in college where she wrote.

She also said very matter of factly that she was sure Harvard won’t punish her because it was “an honest, honest mistake”-(as if by using the word, “ honest” twice she could convince viewers and Katie Couric, she was innocent) and that life would go on for her.

I would have been more impressed if the girl had had the guts to come on the show, and acknowledge what she did. Katie Couric was kind in her interview, may be because she has three girls herself, but I was surprised that the 19 year old could sit there and talk so glibly and confidently insisting that she read those two books in High school and somehow internalized the books to an extent that 40 passages just came out as almost identical versions of Megan’s writings.
Kaavya said she was rewriting those passages and will have an acknowledgement to McCafferty in the book. Soon after the interview several things happened the past week. Harvard says it is reviewing the situation and needs to investigate more; that while the charges of plagiarism would have been more serious if they were directed at any of her course work, Harvard does expect its students to conduct themselves with integrity wherever they go. Kaavya has taken leave of absence from Harvard, her apology was not accepted by Megan McCafferty, and finally her publishing house has pulled all her books from every single store world wide-(I may have just gotten the last copy of what may well become the plagiarists collectors’ item).

An interesting question that someone asked when I posted my thoughts on Dr Deepak Chopra’s blog, intentblog, was how a company could offer a 500,000 advance to a 17 year old who had not written a darned thing except “a chatty email” outlining the story.

In an interesting article in the Boston Globe by David Mehegan, the same question was asked. David writes that the “answer just might be found on the copyright page of ''How Opal Mehta Got Kissed, Got Wild, and Got a Life." There it says: ''Copyright 2006 by Alloy Entertainment and Kaavya Viswanathan."

Alloy is the so-called book packager that helped the Harvard sophomore, now 19, develop the concept for her novel. Everyone involved insists she wrote every word, though Alloy president Leslie Morgenstein said in an e-mail that his firm ''helped Kaavya conceptualize and plot the book." Whatever the extent of its role, Alloy claimed half the rights, which according to publishing experts means that both Alloy and Viswanathan would have signed the contract.”

This so called “ helping young writers conceptualize and plot the book,” business has become a huge publishing racket, where young literary upstarts are taken in hand by companies like these and many a time books ghost written for them. So did Kaavya fall in to the same trap and let the glitter of such a huge deal dazzle her and let the company manipulate the text? What punishment should the publishing house face, in such a scenario if found guilty.

I still feel James Frey was the small fry in a world of mighty Oprah and a big publishing house and was made the scapegoat. Now come to think of it, all the poor guy did, was to embellish his memoir, a book he initially wanted to sell as a work of fiction but was coerced into selling as a memoir by his publishing house because it would have better sale value. He gave in after having his work rejected by 19 publishers. There was no plagiarism involved. His career is destroyed-at least for now.

There were many South Asians who felt that this is a huge step back for South Asian writers and that they will all have to pay the price for Kaavya’s seeming dishonesty, because now their books will come under a cloud and the case will be that of being guilty unless proven otherwise.

I have always felt that when something doesn’t look too good to be true, it usually isn’t. Perhaps this is a lesson for youngsters and older people alike that when you try to take shortcuts to success by less than honest means, the price you pay can be not just financial-it can lead to public humiliation, because as you sow so shall you reap. 

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READERS' COMMENTS:
I agree that Kaavya’s fall out is the result of her own ambition combined with her publisher’s greed. When all this hell broke loose, my first reaction was ‘anger’ at her stupidity but my anger immediately overcome by sadness for this young author and the humiliation she has to go through. Another article on this subject at this web site, with an headline, ‘Salman Rushdie writes off Kaavya’ is also misleading. In fact his comments were very appropriate to the situation including “I hope she can recover from it”.

To those, who are hoping that Harvard to cancel Kaavya’s admission should understand that as a seventeen year old, she earned her admission because of her academic accomplishments and not because of ‘Opal Mehta’.

I totally disagree with the notion that all ‘South Asian’ (frankly, I don’t like this term ‘South Asian’- rather I prefer to be called ‘Indian-American), writers and their future work will come under a cloud and harsh scrutiny. Every writer is judged for his/her own creativity and every book is for its’ content and not for the ethnicity.

Kaavya is too young to be written off as a writer. America, always gives a second chance to the deserving one and Kaavya certainly deserves a second chance. 
I strongly believe, like a ‘Phoenix’, she will rise again and her best work is yet to come. 
Posted by Narender Reddy
Viswanathan-Fre-ying her way to the top I just cannot understand the 
extent of the noise created by Kaavya's plagiarism. She is a bright 
young lady caught up in the world of greed. What about the book packager? 
Is there a chance that they manipulated her? Having invested $500,000 in 
her, is it not logical to expect that they wanted their pound of flesh and 
exerted tremendous pressure on her to produce? I will give her the 
benefit of the doubt. People do crazy things under pressure and Kavya; a 
teenager succumbed to the pressure. She is an American.
By branding her an "Indian American" the accusation by other South Asian 
writers that they have suffered because of her conduct is silly. I hope 
Kavya's next book will be "How Kavya Viswanathan got pulverized, got 
reincarnated, proved everybody wrong, exposed the greed and carried on 
with her life."
Posted by B.R.Ramaprasad
Kaavya Viswanathan: Frey-ing her way to the top I thought in the same vein as Kavita does - South Asian writers under the scanner, and Kaavya's writing career doomed at its take-off - till I spoke to a friend, Mr Ramaprasad of Millington, NJ, who reckons that America's is a very forgiving society; and that Kaavya may still have writing future. Oddly enough 'Boston Globe' columnist Alex Beam expressed similar view. Mr Bean cites a friend (he,too) to say 'today's temporarily disgraced Ivy League child novelist' is tomorrow's Hollywood success. Yale's Jacob Epstein wrote 'Wild Oats' (1979) that bore 
remarkable similarities to Martin Amis' 'The Rachel Papers' Epstein 
bounced back to write 'Hill Street Blues' and become executive story 
editor for 'LA Law'. 
Posted by G V Krishnan

Disclaimer: The views and opinions expressed in these columns are solely those of the writers and do not necessarily represent those of the editor/publisher.

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